Monday, May 17, 2010

Our drama, there's not much more. It's coming to an end for sure.




Now is not the best time for a lot of things, especially when those said things get in the way of the last week of summer school. I'll be the first to admit that my performance during this term and the last has been terribly lackluster. I'm not happy with that and I don't think I could stress that enough. I do however have needs that need to be addressed despite the circumstances they might put me in when I get back to the regular rhythm of life.

I guess I have to 'fess up and take accountability for my actions. I'll do what it takes to get by and get things out of the way, so yeah. Here goes.

A while back, I wrote of my unabashed enthusiasm for Club 8's Philippine tour. I reserved tickets, shot a few messages and made a few calls. Soon enough, I was on a plane headed for Manila with a full set of plans for the days I'd end up spending there.

From the airport, I went straight to dad's office. Ate my first meal of the day around 3:30pm while watching Kick Ass (Whose eponymous protagonist reminds me of Polina's Nick Baker, only with The Locust's costumes in his backpack.). Haven't eaten at Mini-Stop in quite a while and I missed it. Apart from that though, I missed the people I used to go to Mini-Stop with, but that's besides the point.

Around 4:30pm, I high-tailed it over to Mall of Asia to meet up with Nudge in National Bookstore. After almost an hour of aimless wandering to Aberdeen's Homesick And Happy To Be Here, I found her looking up some Oscar Wilde books in the Literary Winners' section. Always nice to see a literary winner checking out other literary winners, don't you think? Anyways, she helped me pick out a notebook and after some more aimless wandering we decided to eat at Wham! Burger. Big mistake. The chicken littles were good but the chicken sandwich left a lot to be desired. Didn't finish all of it. It just got a tad gross towards the end.

Soon after, we started looking for the way to SMX Convention Center. Asking for directions didn't help much, so we tried playing a game of "follow that hipster!" wherein the both of us had to find the way to the venue by following well-dressed kids in pointy shoes. Three blocks and a lost hipster later, we got to SMX.

After an hour or so of waiting in line for the venue to open and poking fun at how hardcore punk kids end up watching Club 8, Nudge and I walked in to find merch tables, busy production staff and a sea of eager fans. I bought the Labrador Records press for Club 8's Strangely Beautiful and a t-shirt for The People's Record and sat down a few heads away from the stage.

The show started soon enough with The Gentle Isolation. I haven't heard them prior to this and from their set, I could safely say they're one of those bands that would really make me smile to see again. Your Imaginary Friends came after. Albeit plagued by technical difficulties in the middle of their set, they still put on a good show. Very heartfelt and charming. The Camerawalls followed, bringing an entire stage full of bandurristas on stage with them. That whole spectacle was a sight to see and Clem Castro's stage presence won me over apart from having a very solid repertoire that would've gotten me to listen to them anyway. Kudos to him for pulling all of this together with the Lilystars crew, as well. I could only imagine how crazy things would've been over his end. Solid lineup, very smooth flow in between bands. At least that's how I see it.

A tense air hung over the audience soon after The Camerawalls played. The crew started setting up, bringing instruments back and forth. We all knew it was coming and just when we were all creaming our pants in excitement, there they were. Club 8, in all their Swedish indie glory, standing in front of us; readying themselves for what was to be the highest point of the evening. They didn't say anything, they just got up and burst into Western Hospitality off of their latest opus, The People's Record. The rest, as they say, is history.

This was definitely a huge event by indie standards. Over at this end though, it was nothing short of an oasis in the middle of a far stretching existential drought for me.

As stated in an earlier entry, I would just like to reiterate the following statement:

This is really something I'd like to experience specifically because of what Club 8 means to me. I guess it's because of where I was around the time I really listened to them. In a sense, like I say about My Bloody Valentine's Loveless, Club 8 was there for me when everyone else couldn't be. They brought me through hard times so I suppose it's my way of giving back to them. Paying for the tickets, showing my support, buying their cds and other merch should they have any.

The mere fact I was there to watch and actually meet Karolina Komstedt and Johan Angergard was a huge thing for me as it took Club 8 into the realm of actual shared experience. I felt it in the connection I had with the rest of the crowd, in the time I spent with Nudge and in Johan and Karolina's words and company.

"We're glad to have helped you through these parts of your life. At least through the music, we're there for you in good times and bad."
-Johan Angergard to me

On a whole, the whole Club 8 experience left me with a stronger desire to experience life as it's meant to be experienced in and among people. Looking into it, I realized that brief, if only momentary patches of inter-subjectivity are just as important as the major turning points that arrest us and change the course of our lives as we know it.

I guess I know what I'm looking for now. Ennui pays off because it makes you see the things you take for granted.

"With all this drama, there's something to lose but the ending we don't choose. Our drama, there's not much more. It's coming to an end for sure."
Club 8- I wasn't much of a fight

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